material studies
a Ma matter
material studies
material studies
I am understanding a by-product.
Be-ing. Body. Impulse.
Pull. Press. Process.
A-part. Pieces. Possibility.
I 3D scanned a mala necklace I made out of angelite and aquamarine. Malas are prayer beads constructed out of 108 beads. The number 108 in yoga represents a cycle of spiritual completion. The Einscan software generated these composite images of all the views. I created a few scan families for the object with 77 rotations each.
3D scanning!! There is a Next Engine and an Einscan Pro 2x plus in the lab. I have been able to get more details from the EP2P, but I am still refining the process. These files have me understanding what has been on my mind lately in new ways. What does it mean to capture a thing’s surface and make a watertight model of it? Hollow bodies, empty openness, receptivity, “dying” before death, letting things live through you, being with, be-ing… Who knew technology would be so powerful?… Oh, wait…
These are a few selected works from the Spring 2019 Art 277 class at University of Wisconsin-Milwaukee. Students used a variety of skills to produce the work: 3D modeling, rendering, laser cutting, 3D printing, vinyl cutting & assembly.
Last week I installed a number of the iAm series pieces "buffet style" in a gallery space. I invited some friends in and asked them to interact with the pieces. The event resulted in some new inspirations and a lot of laughs.
I pinned up a number of the pieces "buffet style" so the guys could pick and choose how they wanted to connect to each other and the objects in the room.
I also had two of each of these sockets for the guys to plug the cords into if they desired to.
I never could have anticipated this arrangement. It was magical and gave me a whole new perspective on my work.
For the guys, this piece turned into an exploration in movement. They started swaying their heads back in forth swinging the cord.
Patrick "I've never been this close to your face before"
Someone will have to hold this.
judgment, expectation, connection, resistance, hinders communication, misunderstood, tension, stagnation
sprinkle, shower, rain, drain, pour, flow - but no
We got a couple new Qidi Technology 3D printers in the lab this semester. I prepared and printed a tolerance sample for my student's jewelry project that is coming up in a few weeks. If you would like one too, find the files on Thingiverse and here; .3dm & .stl 1 & .stl2
I spent some time in the lighting studio today. I enjoy documenting my work. Someday, I will enjoy editing my images when I get better at noticing fuzz and dust.
One of my favorite compositions from today. More to come!
I've been designin', I've been designin'. I get antsy when I'm waiting on 3D prints.
I went into the summer with some Rhino goals in mind, and I've been slowly working through a few of them with a series of ring samples. One of the goals was to increase my "organic" design skills, so I started with exploring curve networks. Coupling these curve networks with some solid primitive forms got me some simple but effective sample ring designs I was able to upload to Shapeways and get printed in a variety of materials. I think these samples will also be helpful to my students in ART277. I got various ring sizes printed to check the tolerances of printing, attempted to incorporate a "tension" held rutilated quartz stone and pushed scale limits. I've gotten about half of the rings from Shapeways, see below. TBC.
On the right in Pink - a stock band I created with curve network, attached to all ring samples. Left - Rutilated capture ring.
Process capture of creating designs from solids.
With this ring, I tried to go as tight as possible to the minimum limit of material thickness for the top design. I'm calling it the "bite ring." I learned a lot trying to create the curve network for the top.
The aluminum plastic on the left is hilarious to me because the design I created is meant to reference hammer texture. Oh, metalsmith humor.
For the 2016 Zoom Conference, I co-curated an exhibition of current and recently graduated MFA/MA artist works from students across the US. We installed the show on the 4th Floor of the Kenilworth Building. Below are some images I shot quickly of the opening. See also the beautiful curatorial statement written by my co-curator.
For this show, I installed two of my CNC machined socket pieces from the ceiling on opposite sides of the gallery. I mostly wanted to observe how people reacted to the pieces. Some people actually tried the earplugs on and hoped for sound, and ultimately were disappointed or intrigued and looked up to towards the ceiling. Some people didn't even notice the pieces, or that there were two of them. Some people were startled by their presence. And, some people asked, "so what's this all about?"
I am so happy with all of these responses.
I am continually thinking about connections through the iAm series; technologically mediated connection, interpersonal connection, physical connection and touch, spiritual/divine connection, and connection to the universe, space, and time. Some people are so disconnected from some of these relationships that they are perplexed when they have an encounter. Some people are critical of their connected relationships have huge expectations, and are left ultimately disappointed. Some people don't even notice their connections and some notice their connections in hindsight.
iAm, like a spider suspended, waiting for something to land on or intercept, and remind that we are the creator of our universe and web of connection.